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Indian Springs

Indian Springs

ā€œThree two one fireā€


ā€˜Indian Springs’, shot between 2012 and 2013, portrays the photographic fiction during a day in the life ofĀ aĀ drone pilot.


ā€œAt night I cut across the sandy terrain. With two hands on the steering wheel, the car shoots towards the inter-state to Indian Springs, where I pilot military drones. Grainy pixels spread all over the screen. Day and dreams get blurred, and I ask myself again, as I’ve done for always, whether I’m living in a dream or in reality. (…) Coffee machine, everyday gestures, settling into a leather armchair: vertical joystick, multipleĀ screens console. The game starts, virtual reality—the grid on the screens grows larger and IĀ venture down into the midst of the colored points, headed towards the convulsing horizon in the distance. Soon enough, I’m surrounded only by gridlines, I’m entirely inside it. IĀ feel good. Every day I experience the same surprise at the first contact with the imperceptible of virtual matter. From my fixed position I’m invisible, unassailable, IĀ dominate in close-up a vast territory.ā€

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Indian Springs—

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Indian Springs

ā€œThree two one fireā€


ā€˜Indian Springs’, shot between 2012 and 2013, portrays the photographic fiction during a day in the life ofĀ aĀ drone pilot.


ā€œAt night I cut across the sandy terrain. With two hands on the steering wheel, the car shoots towards the inter-state to Indian Springs, where I pilot military drones. Grainy pixels spread all over the screen. Day and dreams get blurred, and I ask myself again, as I’ve done for always, whether I’m living in a dream or in reality. (…) Coffee machine, everyday gestures, settling into a leather armchair: vertical joystick, multipleĀ screens console. The game starts, virtual reality—the grid on the screens grows larger and IĀ venture down into the midst of the colored points, headed towards the convulsing horizon in the distance. Soon enough, I’m surrounded only by gridlines, I’m entirely inside it. IĀ feel good. Every day I experience the same surprise at the first contact with the imperceptible of virtual matter. From my fixed position I’m invisible, unassailable, IĀ dominate in close-up a vast territory.ā€

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ā€œThree two one fireā€


ā€˜Indian Springs’, shot between 2012 and 2013, portrays the photographic fiction during a day in the life ofĀ aĀ drone pilot.


ā€œAt night I cut across the sandy terrain. With two hands on the steering wheel, the car shoots towards the inter-state to Indian Springs, where I pilot military drones. Grainy pixels spread all over the screen. Day and dreams get blurred, and I ask myself again, as I’ve done for always, whether I’m living in a dream or in reality. (…) Coffee machine, everyday gestures, settling into a leather armchair: vertical joystick, multipleĀ screens console. The game starts, virtual reality—the grid on the screens grows larger and IĀ venture down into the midst of the colored points, headed towards the convulsing horizon in the distance. Soon enough, I’m surrounded only by gridlines, I’m entirely inside it. IĀ feel good. Every day I experience the same surprise at the first contact with the imperceptible of virtual matter. From my fixed position I’m invisible, unassailable, IĀ dominate in close-up a vast territory.ā€

Indian Springs | Village. Leeds,