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Art Review 180 Vol.78 No.1
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Art Review 180 Vol.78 No.1

Art Review 180 Vol.78 No.1

‘Stripping down since 1949’

The almost-monthly ArtReview has been expanding contemporary art’s audience and reach since 1949. Within its pages, art is observed, featured and reviewed.

At the beginning of each year, Art Review invites a group of artists and critics to assemble Future Greats, a list of artists who are ‘setting out in new directions, often with new preoccupations, to destinations not yet known but likely to be of great interest.’ The cover quote from John Berger positions the list nicely: it includes a filmmaker foregrounding Indigenous visual language, an artist who merges techniques of Chinese painting with histories of the Western avant-garde, and a collective taking action towards sustainable food futures.

Plus: Emilija Ơkarnulytė, Mari Katayama, Jesse Darling, Park McArthur and Berenice Olmedo.

$4.04

Original: $11.55

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Art Review 180 Vol.78 No.1—

$11.55

$4.04

Art Review 180 Vol.78 No.1

‘Stripping down since 1949’

The almost-monthly ArtReview has been expanding contemporary art’s audience and reach since 1949. Within its pages, art is observed, featured and reviewed.

At the beginning of each year, Art Review invites a group of artists and critics to assemble Future Greats, a list of artists who are ‘setting out in new directions, often with new preoccupations, to destinations not yet known but likely to be of great interest.’ The cover quote from John Berger positions the list nicely: it includes a filmmaker foregrounding Indigenous visual language, an artist who merges techniques of Chinese painting with histories of the Western avant-garde, and a collective taking action towards sustainable food futures.

Plus: Emilija Ơkarnulytė, Mari Katayama, Jesse Darling, Park McArthur and Berenice Olmedo.

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‘Stripping down since 1949’

The almost-monthly ArtReview has been expanding contemporary art’s audience and reach since 1949. Within its pages, art is observed, featured and reviewed.

At the beginning of each year, Art Review invites a group of artists and critics to assemble Future Greats, a list of artists who are ‘setting out in new directions, often with new preoccupations, to destinations not yet known but likely to be of great interest.’ The cover quote from John Berger positions the list nicely: it includes a filmmaker foregrounding Indigenous visual language, an artist who merges techniques of Chinese painting with histories of the Western avant-garde, and a collective taking action towards sustainable food futures.

Plus: Emilija Ơkarnulytė, Mari Katayama, Jesse Darling, Park McArthur and Berenice Olmedo.

Art Review 180 Vol.78 No.1 | Village. Leeds,