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Art Review 179 Vol.77 No.9
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Art Review 179 Vol.77 No.9

Art Review 179 Vol.77 No.9

The December issue features the Power 100 – ArtReview’s annual attempt at mapping the systems and people that shape contemporary art today. This issue turns its attention to the wider machinery of the artworld: why certain practices gain visibility; how that visibility is produced and distributed; and who holds the authority or influence to make those decisions. The aim is to cast some light on the industry’s less-visible architectures and trace how they’ve shifted over the past year. Alongside the list itself, the issue features an artist project by William Powhida and an essay that surveys the current state of AI in the arts. First launched in 2002, the Power 100 remains the most recognised and widely read annual ranking of influence within contemporary art.

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Art Review 179 Vol.77 No.9—

$10.80

$3.78

Art Review 179 Vol.77 No.9

The December issue features the Power 100 – ArtReview’s annual attempt at mapping the systems and people that shape contemporary art today. This issue turns its attention to the wider machinery of the artworld: why certain practices gain visibility; how that visibility is produced and distributed; and who holds the authority or influence to make those decisions. The aim is to cast some light on the industry’s less-visible architectures and trace how they’ve shifted over the past year. Alongside the list itself, the issue features an artist project by William Powhida and an essay that surveys the current state of AI in the arts. First launched in 2002, the Power 100 remains the most recognised and widely read annual ranking of influence within contemporary art.

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The December issue features the Power 100 – ArtReview’s annual attempt at mapping the systems and people that shape contemporary art today. This issue turns its attention to the wider machinery of the artworld: why certain practices gain visibility; how that visibility is produced and distributed; and who holds the authority or influence to make those decisions. The aim is to cast some light on the industry’s less-visible architectures and trace how they’ve shifted over the past year. Alongside the list itself, the issue features an artist project by William Powhida and an essay that surveys the current state of AI in the arts. First launched in 2002, the Power 100 remains the most recognised and widely read annual ranking of influence within contemporary art.