
Worldwide (bleed)
Worldwide (bleed): 'a visual diary was launched as part of Duplicate Publishing Fair at Eastside ProjectsĀ and brings together a decadeās worth of iPhone images Iāve capturedāprimarily of urban signage, street furniture, and architecture taken at street level. These images are thoughtfully contextualised through Seanās intelligent and poignant text, which also touches on my wider visual practice. A list of image locations appears on the final page.
These images have been a quiet but constant thread in my practice, and the publication of Worldwide (bleed) marks the realisation of a long-held ambition to bring them together in a considered and lasting form.
The publication combines screen printing, risograph, and digital print techniques, and is printed on a mix of 100gsm cartridge paper and dayglo stock. It comes with a silver-foiled card coverāand includes a beige air freshener bookmark.'
Original: $29.90
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Worldwide (bleed)
Worldwide (bleed): 'a visual diary was launched as part of Duplicate Publishing Fair at Eastside ProjectsĀ and brings together a decadeās worth of iPhone images Iāve capturedāprimarily of urban signage, street furniture, and architecture taken at street level. These images are thoughtfully contextualised through Seanās intelligent and poignant text, which also touches on my wider visual practice. A list of image locations appears on the final page.
These images have been a quiet but constant thread in my practice, and the publication of Worldwide (bleed) marks the realisation of a long-held ambition to bring them together in a considered and lasting form.
The publication combines screen printing, risograph, and digital print techniques, and is printed on a mix of 100gsm cartridge paper and dayglo stock. It comes with a silver-foiled card coverāand includes a beige air freshener bookmark.'
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Description
Worldwide (bleed): 'a visual diary was launched as part of Duplicate Publishing Fair at Eastside ProjectsĀ and brings together a decadeās worth of iPhone images Iāve capturedāprimarily of urban signage, street furniture, and architecture taken at street level. These images are thoughtfully contextualised through Seanās intelligent and poignant text, which also touches on my wider visual practice. A list of image locations appears on the final page.
These images have been a quiet but constant thread in my practice, and the publication of Worldwide (bleed) marks the realisation of a long-held ambition to bring them together in a considered and lasting form.
The publication combines screen printing, risograph, and digital print techniques, and is printed on a mix of 100gsm cartridge paper and dayglo stock. It comes with a silver-foiled card coverāand includes a beige air freshener bookmark.'






















