Utterly Lazy and Inattentive (SIGNED)
This autobiography combines over 150 of Martin Parr’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.
As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.
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Utterly Lazy and Inattentive (SIGNED)
This autobiography combines over 150 of Martin Parr’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.
As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.
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This autobiography combines over 150 of Martin Parr’s photographs – from his earliest snapshots to the work he is doing today – with his recollections and reflections on each image. We meet a boy growing up in suburbia, who collects obsessively and notices everything. We see him exploding into the public consciousness in the late eighties with a series of startling, ultra-saturated colour images of the British seaside – and scandalising the photography establishment in the process. We see society changing over the decades, from the demise of steam trains, through the opening of the first McDonald’s in Moscow, to the transformations of the post-pandemic world.
As Martin shares his story, his distinctive voice delicately captured by his friend, the writer Wendy Jones, he also reveals his approach to work and commissions; his tricks for gaining access and getting the shot; and he divulges his particular passions: for crowds and queues, fetes and placards, bad weather on beaches, and more.
