Third Life
Third Life is the new monograph by photographer Norbert Schoerner. Assembled as a cinematic narrative, this book collects new and previously unseen work produced over the last seven years.
âThese photographs have no single subject or theme, and belong to no single genre. They comprise images snapped for Schoernerâs âsketchbookâ and highly choreographed tableaux, urban and rural landscapes, still lives and what might tentatively be called abstract works ⊠Although they are preoccupied with the promises and pitfalls of representation, they do not seek to contrast the ânaturalâ with the âartificialâ, but rather position both as aspects of the same reality. Aside from the occasional colour correction, there is no postproduction on the majority of Schoernerâs shots, and no real need for it. After all, these are images of a world that constantly edits and re-edits itself.â â Tom Morton from his introduction to Norbert Schoerner: Third Life
Condition: Very Good
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Third Life
Third Life is the new monograph by photographer Norbert Schoerner. Assembled as a cinematic narrative, this book collects new and previously unseen work produced over the last seven years.
âThese photographs have no single subject or theme, and belong to no single genre. They comprise images snapped for Schoernerâs âsketchbookâ and highly choreographed tableaux, urban and rural landscapes, still lives and what might tentatively be called abstract works ⊠Although they are preoccupied with the promises and pitfalls of representation, they do not seek to contrast the ânaturalâ with the âartificialâ, but rather position both as aspects of the same reality. Aside from the occasional colour correction, there is no postproduction on the majority of Schoernerâs shots, and no real need for it. After all, these are images of a world that constantly edits and re-edits itself.â â Tom Morton from his introduction to Norbert Schoerner: Third Life
Condition: Very Good
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Description
Third Life is the new monograph by photographer Norbert Schoerner. Assembled as a cinematic narrative, this book collects new and previously unseen work produced over the last seven years.
âThese photographs have no single subject or theme, and belong to no single genre. They comprise images snapped for Schoernerâs âsketchbookâ and highly choreographed tableaux, urban and rural landscapes, still lives and what might tentatively be called abstract works ⊠Although they are preoccupied with the promises and pitfalls of representation, they do not seek to contrast the ânaturalâ with the âartificialâ, but rather position both as aspects of the same reality. Aside from the occasional colour correction, there is no postproduction on the majority of Schoernerâs shots, and no real need for it. After all, these are images of a world that constantly edits and re-edits itself.â â Tom Morton from his introduction to Norbert Schoerner: Third Life
Condition: Very Good
