
The Moon Is Ours
The Moon Is Ours, from Luci Pina
âThe Moon is Ours is at heart a look into the moon as a spiritual, post colonial home. Â
Luciâs research driven illustration practice continues to look at the intersections between music, black identity and cultural heritage.Â
Seen here carefully and attentively stitching together the personal, the sentimental and the familial, with Guinea-Bissauâs musical history in and around the War of Independence; particularly the music of JosĂ© Carlos Schwarz and his song âLua Ki Di Nosâ of which the exhibition title âThe Moon is Oursâ is a direct translation.
Visually, the work uses archival material (family ephemera: photographs, old passports, notes, newspaper cutouts), and references documentary footage in its characters to paint a series of hybrid imagined narratives. Communities en route in barren lands and steady horizons tell stories of Africa and spiritual pilgrimages to the moon, rooted in the hope that maybe thatâs where home is. â
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The Moon Is Ours
The Moon Is Ours, from Luci Pina
âThe Moon is Ours is at heart a look into the moon as a spiritual, post colonial home. Â
Luciâs research driven illustration practice continues to look at the intersections between music, black identity and cultural heritage.Â
Seen here carefully and attentively stitching together the personal, the sentimental and the familial, with Guinea-Bissauâs musical history in and around the War of Independence; particularly the music of JosĂ© Carlos Schwarz and his song âLua Ki Di Nosâ of which the exhibition title âThe Moon is Oursâ is a direct translation.
Visually, the work uses archival material (family ephemera: photographs, old passports, notes, newspaper cutouts), and references documentary footage in its characters to paint a series of hybrid imagined narratives. Communities en route in barren lands and steady horizons tell stories of Africa and spiritual pilgrimages to the moon, rooted in the hope that maybe thatâs where home is. â
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The Moon Is Ours, from Luci Pina
âThe Moon is Ours is at heart a look into the moon as a spiritual, post colonial home. Â
Luciâs research driven illustration practice continues to look at the intersections between music, black identity and cultural heritage.Â
Seen here carefully and attentively stitching together the personal, the sentimental and the familial, with Guinea-Bissauâs musical history in and around the War of Independence; particularly the music of JosĂ© Carlos Schwarz and his song âLua Ki Di Nosâ of which the exhibition title âThe Moon is Oursâ is a direct translation.
Visually, the work uses archival material (family ephemera: photographs, old passports, notes, newspaper cutouts), and references documentary footage in its characters to paint a series of hybrid imagined narratives. Communities en route in barren lands and steady horizons tell stories of Africa and spiritual pilgrimages to the moon, rooted in the hope that maybe thatâs where home is. â






















