The Model Family
Tealia Ellis Ritter’s first monograph The Model Family loops and deconstructs family photographs of the past and her own contemporary images, in the process confronting head-on the ambiguity of photography and its role in memory and identity. However, far from being a space of nostalgia, The Model Family explores family dynamics with unflinching detail: death, birth, conflict, divorce and sexuality mix matter-of-factly alongside conventional, aspirational nuclear normality: pets, marriage, smiling faces, deep summer evenings. In Ellis Ritter’s circular conception of the family, imperceptibly oscillating between the past and the present, the artist explores how the images of those closest to you are also often the most slippery, sliding just out of reach.
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The Model Family
Tealia Ellis Ritter’s first monograph The Model Family loops and deconstructs family photographs of the past and her own contemporary images, in the process confronting head-on the ambiguity of photography and its role in memory and identity. However, far from being a space of nostalgia, The Model Family explores family dynamics with unflinching detail: death, birth, conflict, divorce and sexuality mix matter-of-factly alongside conventional, aspirational nuclear normality: pets, marriage, smiling faces, deep summer evenings. In Ellis Ritter’s circular conception of the family, imperceptibly oscillating between the past and the present, the artist explores how the images of those closest to you are also often the most slippery, sliding just out of reach.
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Tealia Ellis Ritter’s first monograph The Model Family loops and deconstructs family photographs of the past and her own contemporary images, in the process confronting head-on the ambiguity of photography and its role in memory and identity. However, far from being a space of nostalgia, The Model Family explores family dynamics with unflinching detail: death, birth, conflict, divorce and sexuality mix matter-of-factly alongside conventional, aspirational nuclear normality: pets, marriage, smiling faces, deep summer evenings. In Ellis Ritter’s circular conception of the family, imperceptibly oscillating between the past and the present, the artist explores how the images of those closest to you are also often the most slippery, sliding just out of reach.
