
Tek Hod
Tek Hod is a contemporary photographic response to an ancient tradition: Cumberland and Westmorland Wrestling. Documenting a legacy of romanticism on one hand and industrialisation on the other, David Ellisonâs photo series speaks to the complexity of the landscapeâs tradition via costume and archive as well as the influence of the Arts and Crafts movement.
The flamboyance of hand-stitched birds and flowers in the wrestlersâ costumes; balletic âbackholdâ throws and âtekkin hodâ grips; crowds moving with the weight of sparring bodies and wind from the Cumbrian fells. Ellisonâs images are full of contrasts: here, intricate embroidery meets waning monoliths of rural masculinity in tableaux transported from another era. This book examines a kind of double struggle â against an opponent, and against the threat of dwindling tradition â epitomised within the grasp of Ellisonâs wrestlers.
More Images






Tek Hod
Tek Hod is a contemporary photographic response to an ancient tradition: Cumberland and Westmorland Wrestling. Documenting a legacy of romanticism on one hand and industrialisation on the other, David Ellisonâs photo series speaks to the complexity of the landscapeâs tradition via costume and archive as well as the influence of the Arts and Crafts movement.
The flamboyance of hand-stitched birds and flowers in the wrestlersâ costumes; balletic âbackholdâ throws and âtekkin hodâ grips; crowds moving with the weight of sparring bodies and wind from the Cumbrian fells. Ellisonâs images are full of contrasts: here, intricate embroidery meets waning monoliths of rural masculinity in tableaux transported from another era. This book examines a kind of double struggle â against an opponent, and against the threat of dwindling tradition â epitomised within the grasp of Ellisonâs wrestlers.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Tek Hod is a contemporary photographic response to an ancient tradition: Cumberland and Westmorland Wrestling. Documenting a legacy of romanticism on one hand and industrialisation on the other, David Ellisonâs photo series speaks to the complexity of the landscapeâs tradition via costume and archive as well as the influence of the Arts and Crafts movement.
The flamboyance of hand-stitched birds and flowers in the wrestlersâ costumes; balletic âbackholdâ throws and âtekkin hodâ grips; crowds moving with the weight of sparring bodies and wind from the Cumbrian fells. Ellisonâs images are full of contrasts: here, intricate embroidery meets waning monoliths of rural masculinity in tableaux transported from another era. This book examines a kind of double struggle â against an opponent, and against the threat of dwindling tradition â epitomised within the grasp of Ellisonâs wrestlers.






















