Skorched
Compiled during an intense summer heat wave, Skorched brings together a collection of diverse imagery by the young independent Canadian photographer, Connor Dobbin. Combining original and appropriated imagery, together with an evocative text by Sierra Armour, Dobbin’s book unfolds as a sprawling, hypnotic visual essay, evocatively interweaving striking portraits with experiences and imagery taken at the automotive parts factory were he works.
Largely self-taught and unconstrained by conventional production expectations, Dobbin’s unique, analog approach to image making creates a temporal, almost otherworldly assemblage of images. Neither descriptive nor allegorical, this book is a uncompromised examination into the intersection between identity, relationships and popular culture.
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Skorched
Compiled during an intense summer heat wave, Skorched brings together a collection of diverse imagery by the young independent Canadian photographer, Connor Dobbin. Combining original and appropriated imagery, together with an evocative text by Sierra Armour, Dobbin’s book unfolds as a sprawling, hypnotic visual essay, evocatively interweaving striking portraits with experiences and imagery taken at the automotive parts factory were he works.
Largely self-taught and unconstrained by conventional production expectations, Dobbin’s unique, analog approach to image making creates a temporal, almost otherworldly assemblage of images. Neither descriptive nor allegorical, this book is a uncompromised examination into the intersection between identity, relationships and popular culture.
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Compiled during an intense summer heat wave, Skorched brings together a collection of diverse imagery by the young independent Canadian photographer, Connor Dobbin. Combining original and appropriated imagery, together with an evocative text by Sierra Armour, Dobbin’s book unfolds as a sprawling, hypnotic visual essay, evocatively interweaving striking portraits with experiences and imagery taken at the automotive parts factory were he works.
Largely self-taught and unconstrained by conventional production expectations, Dobbin’s unique, analog approach to image making creates a temporal, almost otherworldly assemblage of images. Neither descriptive nor allegorical, this book is a uncompromised examination into the intersection between identity, relationships and popular culture.
