Sight & Sound March 2026
On the cover: Multi-award-winning filmmaker Paul Thomas Anderson on One Battle After Another and his life in the movies.
Inside the issue: Tributes to the late BĂ©la Tarr; Kristen Stewart finds new expression as writer-director of The Chronology of Water; an interview with Kleber Mendonça Filho, director of The Secret Agent; SirÄt director Oliver Laxe on his intuitive, sensorial filmmaking; Mona Fastvold on The Testament of Ann Lee; Josh Safdie, director of Marty Supreme talks dreams, drive and delusions; Mary Bronstein returns with If I Had Legs Iâd Kick You. Plus, reviews of new releases and a look back at the work of Andrzej Wajda, ten years after his death.
Sight & Sound March 2026
On the cover: Multi-award-winning filmmaker Paul Thomas Anderson on One Battle After Another and his life in the movies.
Inside the issue: Tributes to the late BĂ©la Tarr; Kristen Stewart finds new expression as writer-director of The Chronology of Water; an interview with Kleber Mendonça Filho, director of The Secret Agent; SirÄt director Oliver Laxe on his intuitive, sensorial filmmaking; Mona Fastvold on The Testament of Ann Lee; Josh Safdie, director of Marty Supreme talks dreams, drive and delusions; Mary Bronstein returns with If I Had Legs Iâd Kick You. Plus, reviews of new releases and a look back at the work of Andrzej Wajda, ten years after his death.
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On the cover: Multi-award-winning filmmaker Paul Thomas Anderson on One Battle After Another and his life in the movies.
Inside the issue: Tributes to the late BĂ©la Tarr; Kristen Stewart finds new expression as writer-director of The Chronology of Water; an interview with Kleber Mendonça Filho, director of The Secret Agent; SirÄt director Oliver Laxe on his intuitive, sensorial filmmaking; Mona Fastvold on The Testament of Ann Lee; Josh Safdie, director of Marty Supreme talks dreams, drive and delusions; Mary Bronstein returns with If I Had Legs Iâd Kick You. Plus, reviews of new releases and a look back at the work of Andrzej Wajda, ten years after his death.
