Mousse #85
Mousse #85 features work from a range of contributors: Cally Spooner's Survey and Donald Rodney's (A) Things Arrive Together as Suffused and Inseparable; Jared Das, Carolyn Lazard, and Robert Leckie's (B) Looking for Eldorado: Donald Rodney’s Early Sketchbooks; Emily LaBarge's Monograph on PAREIDOLIA; Mitchell Anderson's Monograph on Ivan Cheng's Performance Society; Niloufar Emamifar's Fast Fish, Loose Fish and Dora Budor's Thinkers; a reprint of McKenzie Wark's On Susan Stryker and Trans San Francisco; Allucquère Rosanne “Sandy” Stone's The War of Desire and Technology at the Close of the Mechanical Age; and David Joselit's curatorial Manifesto on Neighbourly Dislike. Visual offerings include works from Clémentine Deliss, Kerstin Stakemeier.
Mousse #85
Mousse #85 features work from a range of contributors: Cally Spooner's Survey and Donald Rodney's (A) Things Arrive Together as Suffused and Inseparable; Jared Das, Carolyn Lazard, and Robert Leckie's (B) Looking for Eldorado: Donald Rodney’s Early Sketchbooks; Emily LaBarge's Monograph on PAREIDOLIA; Mitchell Anderson's Monograph on Ivan Cheng's Performance Society; Niloufar Emamifar's Fast Fish, Loose Fish and Dora Budor's Thinkers; a reprint of McKenzie Wark's On Susan Stryker and Trans San Francisco; Allucquère Rosanne “Sandy” Stone's The War of Desire and Technology at the Close of the Mechanical Age; and David Joselit's curatorial Manifesto on Neighbourly Dislike. Visual offerings include works from Clémentine Deliss, Kerstin Stakemeier.
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Description
Mousse #85 features work from a range of contributors: Cally Spooner's Survey and Donald Rodney's (A) Things Arrive Together as Suffused and Inseparable; Jared Das, Carolyn Lazard, and Robert Leckie's (B) Looking for Eldorado: Donald Rodney’s Early Sketchbooks; Emily LaBarge's Monograph on PAREIDOLIA; Mitchell Anderson's Monograph on Ivan Cheng's Performance Society; Niloufar Emamifar's Fast Fish, Loose Fish and Dora Budor's Thinkers; a reprint of McKenzie Wark's On Susan Stryker and Trans San Francisco; Allucquère Rosanne “Sandy” Stone's The War of Desire and Technology at the Close of the Mechanical Age; and David Joselit's curatorial Manifesto on Neighbourly Dislike. Visual offerings include works from Clémentine Deliss, Kerstin Stakemeier.
